godfather

By Angela Rocco DeCarlo The Costa Mesa opera house audience in Orange County, California, went wild. The Segerstrom Center for the Arts’  performance, October 2,  featuring the Francis Ford Coppola masterpiece film,"The Godfather" with a full symphonic orchestra onstage providing the beautiful music of Nino Rota's Academy Award winning score, conducted by UCLA alum, Justin Freer, was sensational. The word was the symphony's trumpet player, Robert Frear, of Long Beach State music department, was the original musician from the film. His featured solo, The Godfather Waltz,  in that haunting opening scene in Don Corleone's office, as Bonasera is asking for a favor to avenge his daughter, primes the audience for what is to come. As an Opera Pacific docent I've enjoyed many operas in that theater, but I can not recall such a vocally appreciative audience. Of course, The Godfather, is, in a certain sense, an opera. It is something Puccini or Verdi might have fashioned. It has all the elements of a great opera - love, loyalty, betrayal and revenge. Especially loyalty and revenge. And there are certainly enough deaths to satisfy that element of operatic trauma. Poor Michael Corleone is the perfect Aristotelian tragic hero. His flaw of family love and devotion to his father causes him to lose his soul. He abandons his planned life to avenge his father. So sad. In ...